
The Zionist Dragon; seen here, looking to feast on Lebanon. It now seeks to destroy Libya.
By Jonathan Azaziah
Mask of Zion
It’s happening all over again. Do you hear them? You must be able to. The deaf, those incapable of hearing the sounds of serenity and calamity since birth, could hear them due to their almost wretched loudness. What? What you ask? The drums of war of course. And the drummers are composing their iniquitous cacophony from the same locations that they always do. Tel Aviv. Washington D.C. London, the City of London to be most precise. The audience for their bloodthirsty melody this time around? Libya. Their previous audiences included the ravaged nation of Afghanistan and the devastated nation of Iraq.
War, classically defined, is a state of armed, hostile conflict between nations. But the war of the drummers is different. Their war, in their minds, is waged on children of a lesser God. Women of a lesser state of being. Men of a lesser right. Their war is mass murder of unarmed innocents, occupation, theft of land and resources, desecration and dehumanization. Their war is genocide. These drummers sometimes appear to be of an otherworldly nature; vampires from movies produced in the dregs of the morally destructive institution known as Hollywood. Their aim is to remain. Remain as the sole holders of the globe; the lone controllers; the only existing cabal of masters and elders, who will govern masses of cattle.
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